Google Gardening | Judith Sönnicken
Judith Sönnicken’s Google Gardening replicates the street view function within Google Maps in which panoramas try to mirror the physical experience of a place....
Onions | Kia Miakka Natisse
Onions places the viewer in the moment when a writer struggles to construct an honest narrative about her struggle with “hiding or ignoring” her...
Crash Course | Tyler Bohm
In Crash Course, Tyler Bohm distorts video of the beloved painter Bob Ross by overlaying episodes from a season of his popular show The...
Pete Burkeet | Q+A
Pete Burkeet’s piece Black Hole Son was published in Issue 12 of Digital America. In this interview Burkeet gives us insight into his making process...
Spit | Molly O’Donnell
Molly O’Donnell’s Spit explores the relationship between the grotesque and the natural as it navigates the complicated relationship we have with the internet and pressing...
Molly O’Donnell | Q+A
Molly O’Donnell’s Spit was published in Issue 12 of Digital America. O’Donnell talked with Digital America about Spit and her other work in Potpourri and Default....
Cybernated Frames: A Response to Please Step Out of the Frame | Yuwei Lin
I stepped into a frame in which artist Karissa Hahn allows for no escape. Just as how Nam June Paik employed a conceptual use...
Become Android | Yuwei Lin
Become Android is a personal journey about connections and disconnections from the real world. The artist describes being frequently trapped by endless information from...
STRANGERS COWBOYS | Emily Sasmor
STRANGERS COWBOYS is the second, third, and four acts of the multi-media, performative series HOTLINE FOR THE LOST, a six-act morality opera by Emily...
Emily Sasmor | Q + A
Emily Sasmor’s work STRANGERS COWBOYS was published in Issue 11 of Digital America. Sasmor talked with Digital America about her overarching series HOTLINE FOR...