Spukhafte Fernwirkung | Kailum Graves
Spukhafte Fernwirkung (2018) compacts the endless, challenging landscape of Iceland into a 36-minute time lapse of images (640×480) collected from www.road.is, a website for...
The Station | A Response by Gabi Williams
“Each person is temporal, but the ideas that mankind creates are eternal. It perpetuates itself” – A.I. Alex, The Station 1920s. In the grand...
Roya Ebtehaj | Q+A
Roya Ebtehaj is an Iranian multimedia artist and educator. In her piece Plastystopia (2019), Roya displays the influence of capitalism and western beauty standards on...
Streets | Michael Seh
In Streets (2020), artist Michael Seh creates abstract layers of convolutional patterns using 70,000 images of New York City streets. Streets explores the enormity...
Plastystopia | Roya Ebtehaj
In Plastystopia, artist Roya Ebtehaj uses multimedia displays to portray the influence of capitalism and Western beauty aesthetics on a universal scale, with a...
Escaping Apple Fish | Yangyang Chen
Escaping Apple Fish (2020) is a short video piece that comments on the informative fragmentation in the current cyber ecosystem. Yangyang Chen uses Apple’s...
A Response To True Match | Kate Wiley
In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....
Pollinating Proxies | Colin Rosati
Pollinating Proxies uses footage from 20th century 16mm film to modern-day computer vision to portray how technology affects our interpretation of truth. Colin Rosati...
True Match | Andrea Mikysková
True Match (2017) is a short video piece that questions and comments on how social media functions within capitalism. Andrea Mikysková uses stock footage...
MBA 2k16 | Adam Liszkiewicz
In MBA 2K16, Adam Liszkiewicz uses Cheat Engine to modify MBA 2k16 cutscenes, replacing the face of a Harlem-born basketball player with a MIT-educated...