As Real as the Here | Vivian Charlesworth
Calling upon early internet themes of hypertextual storytelling and fragmented narratives, artist Vivian Charlesworth creates an alternative reality in the VR piece As Real...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
CLOSE TO YOU | Emily Sasmor
Emily Sasmor’s CLOSE TO YOU (2024) is an animated visual opera exploring queer love through 55 androgynous characters— “Drifters.” The work is live streamed...
Sarah Lasley | Q+A
Digital America interviewed Sarah Lasley in November of 2024 on her work Welcome to the Enclave. ::: Digital America: In your animated film Welcome...
Vivian Charlesworth | Q+A
Digital America interviewed Vivian Charlesworth in November of 2024 on her work As Real as the Here. ::: Digital America: Your virtual reality film,...
Manipulation of Life | Ai-Chun Huang
Ai-Chun Huang’s The Manipulation of Life (2021) is a video piece that uses a collage-like stop motion animation style to explore the ways in which...
Response to Ai-Chun Huang’s work | Olivia George
Crowded Dreams (2019) and The Manipulation of Life (2020) are animated collage pieces created by artist Ai-Chun Huang that immediately transport the audience into...
Crowded Dreams | Ai-Chun Huang
Crowded Dreams (2021) uses the same animation style as Huang’s The Manipulation of Life, and continues her exploration of desire, but this time through...
CRUFT | Robert Spahr
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...
Patient Object | Terry Cole
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...