Response to Ai-Chun Huang’s work | Olivia George
Crowded Dreams (2019) and The Manipulation of Life (2020) are animated collage pieces created by artist Ai-Chun Huang that immediately transport the audience into...
Response to Patient Object | Emma C. Johnson
/app_spring_23/ is a video piece in response to Terry Cole’s Patient Object (2022). Filmed in the Shenandoah Mountains with a VHS camera and Sony...
Response to Goodbye Payton | Emma C. Johnson
after the fight is a rumination on the end of a 5 year relationship. Filmed at meaningful locations with text from journal entries written...
Response to FEELS LIKE SPAM | Emma Johnson
Johnson created and composed this animation in response to Keaton Fox’s FEELS LIKE SPAM, (2016) responding to themes of dehumanization in all aspects of...
Response to Elsewhere | Caroline Stevens
Margaret Noble’s Elsewhere, publishing in Digital America Issue 21, is an interactive website link compiled of a live camera feed depicting more than forty...
Response to How Long After This Before I’m Gone? | Jax Donohue
Katina Bitsicas’ piece How Long After This Before I’m Gone? resonates with me. Bitsicas created an interactive augmented reality project showcasing a digital illustration...
Response to collectiblr | Ellie Holdsworth
Whether it be as trivial as a plastic grocery bag or a family heirloom, every human being inflicts personal value on the objects that...
Response to Virtual Worker Diaries | Ryan Keep
Forest Kelley’s Virtual Worker Diaries (2022) offers a sobering view on “micro-labor,” and the inherent physical and emotional distancing that characterizes a digital workforce....
Carnal Politics: A Response to Dear Vern | Tra My Anderson
Corporeal, carnal, erotic—the body as a space in which politics are waged is an inevitable reality. In spite of every effort to dissociate belief...
Response to Dark Parts | Ellie Holdsworth
Through both a visual and audible experience, Becky Brown explores the liminal space of the home in her video piece Dark Parts (2020). We...