A Moon Shaped Pool | Damian Hondares
Everyone has one of those formative moments in life, when they suddenly come to the realization that, in that moment, of all the infinitesimal...
Red Rover, Red Rover…
From the death of Muhammad Ali, to Hillary “clinching” the Democratic presidential nomination, to the shooting at the UCLA campus, this past week has...
Bloody or Redundant
There is a common question amongst people in my age bracket, a telling anthropological detail for anyone keeping score in the future. It goes...
Search Engine Vision “ISIS” | Eric Souther
Search Engine Vision “ISIS” explores the semiotic shift of language as transient definitions that form organically online. The piece opens with examples of the...
Brooklyn School of Magic | Elizabeth Montague
Artist Statement This piece was inspired by a combination of the recent casting of a black Hermione Granger in the play Harry Potter and the Cursed...
The Word on the Street is not a Word: It’s An 😄 | Grace O’Brien
The newfound popularity of emojis and emoticons can be attributed to the human need for nonverbal communication, representing language progression and evolution. They serve...
Spectre: A Review | Michael Leonberger
How can one seriously advocate a love of James Bond in 2016? The martini-swilling, tuxedo-sporting, murderous womanizer of the Cold War is now made...
Marginal Consent | Dana Dal Bo
Editor’s note: This piece is intended for mature audiences. In this two-minute video, artist Dana Dal Bo reenacts poses associated with hysteria in the late 19th...
Damage Control
When I was still an undergrad at the University of Richmond, I wrote a Digital America piece on “the Streisand Effect,” an internet-age phenomenon...
FEELS LIKE SPAM
FEELS LIKE SPAM from Keaton Fox on Vimeo. I made FEELS LIKE SPAM as a reaction to a warning I had received via Tinder. The...