Here We Are Now, Entertain Us
In the nineteen nineties, twin serpents came about: increased media access (in the infant form of cable television and then, more importantly, the birth...
The Feds vs. A Fruit
I want to share my (fairly unoriginal) thoughts regarding the Apple/FBI issue that has been in the news for the past month or so....
TR-8R: Transmedia and the Internet’s Star Wars Hero
Star Wars: The Force Awakens has given the internet a new hero. It’s not Finn, the former stormtrooper turned resistance fighter or Rey, the...
Blackstar: Trolled by the Goblin King
On November 19, 2015, I fell in love with a song that had just been posted on YouTube. Accompanied by a surrealist 10-minute music...
Tell Me What You Want (What You Really, Really Want)
I was at a holiday party. Stranded. Cornered in the kitchen. Forced to answer the question, “What do you want to do with your...
Millennialing A Murderer
On January 11th, 2016, at around 11:30 PM, Michael Leonberger climbed out of bed and made his way down the hall for a glass...
for Digital Graffiti
From January 19-26th, I was fortunate enough to have been invited and involved in the Alys Foundation’s Visiting Artist Series. The week long residency...
Friend for the Future
In the book Financially Fearless (which I am reading because I am a cliched twenty-something without any clue about how to manage my finances,...
Low Prices and Low Expectations
I’m not sure if you heard, but an early leader in consumer electronics megastores is trying to make a comeback. Before I even begin, I want you to keep this...
Review: Push Pull: A visual analysis | Nia Burks
The first viewing of Push Pull by Purity Ring is reminiscent of a figurative interpretation of the abstract minimalist aesthetic that has defined much...