Ana Jovanovska | Q&A
Ana Jovanovska is a Macedonian artist who explores social structures and the influences of pop culture. In her piece When you think about painting...
Gazing | Zhongkai Li
In Li Zhongkai’s Gazing, an interactive five channel video positions viewers in a world where “the gaze” asserts authority. In his schematic, Zhongkai introduces...
Digital Artifacts | Frances Gichner
In an increasingly digital world what is happening to the artifact? Essays, art, and digital histories all exist online, in a space independent from...
Response to Gazing | Alexis Angelus
In Gazing (2019) Zhongkai Li explores voyeurism and authority. Li confronts the viewer with their own image projected upon a simple black screen; at...
Spukhafte Fernwirkung | Kailum Graves
Spukhafte Fernwirkung (2018) compacts the endless, challenging landscape of Iceland into a 36-minute time lapse of images (640×480) collected from www.road.is, a website for...
The Station | A Response by Gabi Williams
“Each person is temporal, but the ideas that mankind creates are eternal. It perpetuates itself” – A.I. Alex, The Station 1920s. In the grand...
Roya Ebtehaj | Q+A
Roya Ebtehaj is an Iranian multimedia artist and educator. In her piece Plastystopia (2019), Roya displays the influence of capitalism and western beauty standards on...
Streets | Michael Seh
In Streets (2020), artist Michael Seh creates abstract layers of convolutional patterns using 70,000 images of New York City streets. Streets explores the enormity...
Plastystopia | Roya Ebtehaj
In Plastystopia, artist Roya Ebtehaj uses multimedia displays to portray the influence of capitalism and Western beauty aesthetics on a universal scale, with a...
Vi Trinh | Q+A
The Station (2020) is an interactive piece that takes place after the end of the world in a space station. The Station is based...