The Station | Vi Trinh
The Station is an interactive digital exploration of a post-apocalyptic space station. Based on of the Myth of Sisyphus, and tied to nostalgia as...
Kailum Graves | Q&A
Spukhafte Fernwirkung (2019) compacts the endless, challenging landscape of Iceland into a 36-minute time-lapse of images (640×480) collected from www.road.is, a website for monitoring...
Escaping Apple Fish | Yangyang Chen
Escaping Apple Fish (2020) is a short video piece that comments on the informative fragmentation in the current cyber ecosystem. Yangyang Chen uses Apple’s...
Point Zero | Dho Yee Chung
In Point Zero (2019), Artist Dho Yee Chung generates digital prototypes of human figures. She isolates the viewer from human skin by creating layers...
A Response To True Match | Kate Wiley
In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....
Airborne Fulfillment Center Patent: US9305280B1 | Jason Isolini
Airborne Fulfillment Center is a 360-degree collage by Jason Isolini. The work is inserted in the Google Maps universe using Google Business View, a...
Mirrored Perspectives : A Response to MBA 2k16 | Imani Shackelford
Through its digital manipulation of Spike Lee’s cut scene from the videogame NBA 2k16, Adam Sulzdorf-Liszkiewicz’s MBA 2k16 (2017) is a satirical film that explores...
Living in Between | Maryam Khaleghi Yazdi
Maryam Khaleghi Yazdi’s Living in Between (2019) represents the political, cultural, and racial barriers migrants face. Each illustration depicts an aspect of a migrant’s...
Surfing the Underground | Richard Heckert
Surfing the Underground by Richard Heckert, is not, surprisingly, digital artwork. The drawings are created with Stabilo pens on color cardboard. The result, though,...
when the seasons change my feelings change | Pink Box
when the seasons change, my feelings change prompts the audience to reflect on the cycle of human life through the Kubler-Ross model of grief....