Digital Artifacts | Frances Gichner
In an increasingly digital world what is happening to the artifact? Essays, art, and digital histories all exist online, in a space independent from...
Response to Gazing | Alexis Angelus
In Gazing (2019) Zhongkai Li explores voyeurism and authority. Li confronts the viewer with their own image projected upon a simple black screen; at...
Spukhafte Fernwirkung | Kailum Graves
Spukhafte Fernwirkung (2018) compacts the endless, challenging landscape of Iceland into a 36-minute time lapse of images (640×480) collected from www.road.is, a website for...
The Station | A Response by Gabi Williams
“Each person is temporal, but the ideas that mankind creates are eternal. It perpetuates itself” – A.I. Alex, The Station 1920s. In the grand...
Roya Ebtehaj | Q+A
Roya Ebtehaj is an Iranian multimedia artist and educator. In her piece Plastystopia (2019), Roya displays the influence of capitalism and western beauty standards on...
Plastystopia | Roya Ebtehaj
In Plastystopia, artist Roya Ebtehaj uses multimedia displays to portray the influence of capitalism and Western beauty aesthetics on a universal scale, with a...
I Voted | Meghan Kozal
In I Voted (2020), artist Megan Kozal uses embedded video clips to examine American news consumption, voter education, and voter apathy. Kozal’s minimalistic web...
Click, Drag, Nip, Tuck | Luke Malcynsky
In the digital collage series, Click, Drag, Nip, Tuck (2019), Luke Malcynsky sheds light on the powerful influence of social media, digital photo-editing tools and...
When you think about painting do you think about something like this? | Ana Jovanovska
When you think about painting do you think about something like this? uses popular American cartoon clips to expose an often cited exclusivity of...
HMU | Marina Tinone
In Marina Tinone’s lyrical essay HMU (2020), they produce an intimate portrait of the narrator’s relationship with a phone. Using allegory and repetition, Tinone...