Our Asphalt Playground: The Parking Lot Project | Izzy P., Kenta M., and Miranda R.
:: Dig a hole. Shovel the dirt into a wheelbarrow. Dump the dirt back into the hole. :: Contemplate loss on a stump. ::...
Along for the Ride: The Implications of Extended Memory, Lifelogging, and the Quantified Self | Dora O’Donnell
Currently, lifelogging is defined as the activity of producing a continual record of your everyday life by carrying a portable camera and/or other digital...
Making Love: Poetry in Motion | Tal and Omer Golan
Editors’ Note: This piece has since been removed from the journal. There is a random aspect to love. We can not predict who we...
EGO LIBIDO | Keaton Fox
The Ego Libido Series is a collection of thirty video art experiments that analyze the perceptual complexities of digital reflection. The five selections featured...
Little Boy | Daniel Wechsler
As images and video footage of war and terror are inescapable in the Digital Age, we grow paradoxically overwhelmed and numb at the sacrifice...
Social Media: Keeping Service Personnel Connected, One Deployment at a Time | Julia Hall
Lest I should not be able to write again, I feel impelled to write a few lines that may fall under your eye. I...
Removed | Eric Pickersgill
Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body....
“Mosaic” & “Nation Time” | Christine Lucy Latimer
Christine Lucy Latimer’s videos explore the movement between film and video, navigating the disparate quality and temporality of the two mediums. In Mosaic she uses footage of...
What Did You Mean By That? | James Galloway
This is a paper about my efforts to continue being honest, both within myself and my professional work as a journalist, under the watchful...
How social media is changing Hollywood | Nicola Freedman
The advent of the digital age has significantly changed the strategies of filmmakers and—in particular—Hollywood. The marketing process, as well as the very window...