Oogle | Jenna deBoisblanc
Jenna deBoisblanc’s Oogle (2020) is an interactive web piece that allows the user to navigate the house of deBoisblanc through a mimic of the...
Hyperreality | Quincy Kmetz
Quincy Kmetz’s Hyperreality series (2020-2021) is a take on traditional narrative paintings and consists of five painted “pages” coming together to form an immersive...
Quincy Kmetz | Q+A
Digital America interviewed Quincy Kmetz in April 2024 about her work Hyperreality. ::: Digital America: Your work deals with transhistorical issues, specifically involving information,...
Jenna deBoisblanc | Q+A
Digital America interviewed Jenna deBoisblanc in April of 2024 on her work Oogle. ::: Digital America: Oogle (2020) is a piece that utilizes spatiality....
Marketing Keeled Free Web Like a Storm | Benna Gaean Maris
Marketing Keeled Free Web Like a Storm (2022) is a parody music video of the Buggles’ cult classic Video Killed the Radio Star. With...
Response to Marketing Keeled Free Web Like A Storm | Quintarius Jefferies
Benna Gaeane Maris’s ingeniously crafts a clever parody of The Buggles’ iconic song “Video Killed the Radio Star” (1979) titled Marketing Keeled Free Web...
Response to FEELS LIKE SPAM | Emma Johnson
Johnson created and composed this animation in response to Keaton Fox’s FEELS LIKE SPAM, (2016) responding to themes of dehumanization in all aspects of...
A Response To True Match | Kate Wiley
In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....
True Match | Andrea Mikysková
True Match (2017) is a short video piece that questions and comments on how social media functions within capitalism. Andrea Mikysková uses stock footage...