Crowded Dreams (2021) uses the same animation style as Huang’s The Manipulation of Life, and continues her exploration of desire, but this time through the expectations placed on individuals in different stages of their life. Huang uses a variety of technological and architectural imagery to portray the overwhelming feeling of these desires.
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Check out the companion piece, Manipulation of Life, also published in Issue 23.
Digital America interviewed AI-CHUN-HUANG in April of 2024.
Olivia George responded to Crowded Dreams in April of 2024.
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Ai-Chun Huang is a multimedia artist, specializing in experimental animations, painting, digital installation, or any inspirational resources wherever and whenever. She Has exhibited in numerous solo and group exhibitions, including those at the CICA museum in South Korea, Taipei Fine Arts Museum, C-LAB(Taiwan Contemporary Culture Lab) and Pier-2 art center in Taiwan. She currently works as the art director for my own art & design studio ”Little Hope Creative Studio” in Seattle.
