Vi Trinh | Q+A
The Station (2020) is an interactive piece that takes place after the end of the world in a space station. The Station is based...
Kailum Graves | Q&A
Spukhafte Fernwirkung (2019) compacts the endless, challenging landscape of Iceland into a 36-minute time-lapse of images (640×480) collected from www.road.is, a website for monitoring...
Dho Yee Chung | Q+A
Dho Yee Chung’s Point Zero (2019) raised the question of what is real and what is not and a discussion about the apparatus people...
Maryam Khaleghi Yazdi | Q+A
Maryam Khaleghi Yazdi is an Iranian Graphic Designer who creates new experiences with each new work. Currently, Maryam is exploring her identity as a...
Colin Rosati | Q+A
In this interview, Colin Rosati gives us insight into the inspiration and creative process behind Pollinating Proxies (2019), and themes and conversations throughout his...
Aliyah Decker | Q+A
In this interview, Aliyah Decker talks about the inspiration for using virtual reality as a medium for when the seasons change my feelings change (Issue...
Xavier McFarlin | Q+A
In this interview, Xavier McFarlin talks about the process behind his artistic decisions as well as his experience growing up in Japan as a...
Kia Miakka Natisse | Q+A
Kia Miakka Natisse is a passionate storyteller. She has a Master of Arts from NYU’s Gallatin School of Individualized Studies — where she concentrated...
Pete Burkeet | Q+A
Pete Burkeet’s piece Black Hole Son was published in Issue 12 of Digital America. In this interview Burkeet gives us insight into his making process...
Molly O’Donnell | Q+A
Molly O’Donnell’s Spit was published in Issue 12 of Digital America. O’Donnell talked with Digital America about Spit and her other work in Potpourri and Default....