brat but it’s totally not brat just you | Emily d’Achiardi
Emily d’Achiardi’s brat but it’s totally not brat just you (2024) is an interactive web piece that cuts up and reformulates musical artist’s Charlie XCX’s...
CRUFT | Robert Spahr
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...
Marketing Keeled Free Web Like a Storm | Benna Gaean Maris
Marketing Keeled Free Web Like a Storm (2022) is a parody music video of the Buggles’ cult classic Video Killed the Radio Star. With...
Response to No Turn on Red | Livi Palalay
Livi Palalay illustrated this animation in response to Jody Zellen’s work No Turn on Red (2024) to acknowledge themes of waiting and emphasize the...
Occupation | Coalfather Industries
“Occupation” (2023) is a video performance piece that examines the ideas surrounding work, addressing both the work climate of the post-pandemic era and injurious...
Patient Object | Terry Cole
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...
Believe in us but not too much | Adrian Pijoan
Believe in us but not too much (2022) is an immersive digital exhibition that explores themes of the paranormal, specifically Pijoan’s own obsession and...
Deliberate Decoding | Ellen Hart
Deliberate Decoding (2023) presents an interactive, browser-based hyperlink artwork delving into the artist’s exploration of digital art. In this immersive experience, the artist grapples...
Making sense of what __ pieces were left… | Lu Gibson
“Making sense of what ___ pieces were left…” (2023) uses a series of nine digital collage and written short pieces to tell stories of...
./configure | Bryan Valdes
“./configure” (2023) is a series of crude and binary video collages that are meant to be a digital mirror to the transient nature of...