Crowded Dreams | Ai-Chun Huang
Crowded Dreams (2021) uses the same animation style as Huang’s The Manipulation of Life, and continues her exploration of desire, but this time through...
HIC SVNT DRACONES | Benna Gaean Maris
Benna Gaean Maris’s Hic Svnt Dracones (2023) is a code file implementing robot.txt blocks which are protected under the Robots Exclusion Protocol. The piece of...
Goodbye Payton | Emily d’Achiardi
“Goodbye Payton” (2023) curates the endings, beginnings, and middle of a crumbling relationship using audio recordings, transcripts, and hand-written letters. An entirely web-based piece,...
brat but it’s totally not brat just you | Emily d’Achiardi
Emily d’Achiardi’s brat but it’s totally not brat just you (2024) is an interactive web piece that cuts up and reformulates musical artist’s Charlie XCX’s...
CRUFT | Robert Spahr
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...
Marketing Keeled Free Web Like a Storm | Benna Gaean Maris
Marketing Keeled Free Web Like a Storm (2022) is a parody music video of the Buggles’ cult classic Video Killed the Radio Star. With...
Response to No Turn on Red | Livi Palalay
Livi Palalay illustrated this animation in response to Jody Zellen’s work No Turn on Red (2024) to acknowledge themes of waiting and emphasize the...
Occupation | Coalfather Industries
“Occupation” (2023) is a video performance piece that examines the ideas surrounding work, addressing both the work climate of the post-pandemic era and injurious...
Patient Object | Terry Cole
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...
Believe in us but not too much | Adrian Pijoan
Believe in us but not too much (2022) is an immersive digital exhibition that explores themes of the paranormal, specifically Pijoan’s own obsession and...