Reexamining the “Real”: A Response to STRANGERS COWBOYS | Izzy Pezzulo
Emily Sasmor’s STRANGERS COWBOYS is a journey that takes place over time, with many different elements, exploring the lives of (unnamed) characters taking place...
Mixed Connections | Emma Dickson
“Still waiting…” “Lingering grace at J. Alexander’s.” “Gay hat, green shorts.” Through a randomized recombination of Craigslist Missed Connection posts, Emma Dickson’s Mixed Connections...
Without a Trace | Jody Zellen
Without a Trace slows down the streaming news cycle and asks us to take stock of the outline—the contrast—of the text and image presented. Jody...
THANK YOU | Vi Trinh
Vi Trinh’s animation, THANK YOU, explores the relationship between power and powerlessness, and thus casts the characters of humans, institutions, and animals. Trinh uses a...
(I think it’s real even though I know it’s not): Response to Hyperobjects | Jessica Mairena
Bryan Meador’s Hyperobjects are a collection of mutated representations of nature specifically designed to play with viewer perception. It absolutely succeeds. When viewing these...
Hyperobjects | Bryan Meador
Bryan Meador’s Hyperobjects is a collection of hybrid images at the intersection of digital collage and painting that results in a decadently reimagined natural...
Welcome To My Home | Sarah Beckwith as Baleada Queen
Welcome To My Home is a glimpse into the world of Baleada Queen, a fallen telenovela star clinging to what remains of her former...
Cyber Black Girl | Elizabeth Montague
Elizabeth Montague’s Cyber Black Girl explores the post-colonial nuances of the black female experience. Drawing upon her personal narrative as an African American woman, Montague...
Flowers for Donald | Gregory Eddi Jones
Flowers for Donald feels like made-in-the-moment reactions to a politically messy environment and sensational news coverage. The series of digital collages utilize symbol and...
Destroy Evil | Katie Bush
Katie Bush’s Destroy Evil is an overwhelming, disarming, and mesmerizing 90’s net art inspired piece aimed at critiquing George Bush’s 2002 ‘Axis of Evil’...