HMU | Marina Tinone
In Marina Tinone’s lyrical essay HMU (2020), they produce an intimate portrait of the narrator’s relationship with a phone. Using allegory and repetition, Tinone...
The Station | Vi Trinh
The Station is an interactive digital exploration of a post-apocalyptic space station. Based on of the Myth of Sisyphus, and tied to nostalgia as...
A Response to Spukhafte Fernwirkung | Truitt Dill
In Spukhafte Fernwirkung (2019), Kailum Graves compacts the endless, challenging landscape of Iceland into a 36-minute time lapse video comprised of images (640×480) taken...
Escaping Apple Fish | Yangyang Chen
Escaping Apple Fish (2020) is a short video piece that comments on the informative fragmentation in the current cyber ecosystem. Yangyang Chen uses Apple’s...
Screen | Josh Gumiela
In Screen, Josh Gumiela uses an interactive video to reflect on the challenges immigrants have to face in pursuit of naturalization in the U.S....
Point Zero | Dho Yee Chung
In Point Zero (2019), Artist Dho Yee Chung generates digital prototypes of human figures. She isolates the viewer from human skin by creating layers...
A Response To True Match | Kate Wiley
In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....
Defying giants: A Response to Airborne Fulfillment Center Patent: US9305280B1 | Nícolas Silva
Believe it or not, Amazon actually has a patent for a flying warehouse. It’s called Airborne Fulfillment Center, and its patent details a...
Airborne Fulfillment Center Patent: US9305280B1 | Jason Isolini
Airborne Fulfillment Center is a 360-degree collage by Jason Isolini. The work is inserted in the Google Maps universe using Google Business View, a...
Mirrored Perspectives : A Response to MBA 2k16 | Imani Shackelford
Through its digital manipulation of Spike Lee’s cut scene from the videogame NBA 2k16, Adam Sulzdorf-Liszkiewicz’s MBA 2k16 (2017) is a satirical film that explores...