Avital Meshi’s The New Virtuvian (2022) uses AI to experiment with human influenced biases engineered into common technologies. Much of Meshi’s work centers around...
The digital world isn’t immune from the societal hierarchies and discrimination we experience in the real world—we often see those fears and anxieties heightened...
Digital America interviewed Lesser Alvarez Gonzalez in November 2022 to discuss his pieces Alternative Artifact (2017) and New Colors / Old Wars (2022). :::...
In her sound piece Soundscapes in Motherhood (2019), Jamie Kessler performs a musical composition of her fetal contractions and heartbeats that she experienced during...
In collectiblr (2021), Vidya Giri reflects on what makes objects collectible and worth remembering “with consideration of the presumed permanence of data and the...
Digital America interviewed Yasmine Anlan Huang in April 2022 about her work Illogical Innocence (2019). ::: Digital America: All spoken words throughout the piece...
In his piece Bliss of The Epileptic (2022), Mihai Moldovanu collages images found in everyday social media algorithms. Moldovanu explores how we as a...
Through his use of digital abstraction, Marco Jacconi’s Various Images (2021) explores his attempt to create “visualized energy” through art by penetrating “spiritual spheres”...
Virtual Worker Diaries (2022) targets the rise of virtual labor markets and crowdsourcing by illuminating the “layers of obfuscation” inherent to the anonymous exchanges....
